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Capturing moody ocean photography! With @seb.picaud - Winner Best of the Week 37 2024 at #nomadict / “As a graphic designer in the surfwear industry, I first developed a taste for travel well before photography. Photography came late. After returning from trips, I was so frustrated by the weakness of my images that I began to invest myself more seriously in this field. Then, during the lockdown, I became increasingly involved in surf and wave photography. As I lived near the beach, I could escape discreetly and practice photographing waves at sunrise, devoid of any surfers. I practice surf photography almost exclusively, being in the south of France, along the Aquitaine coast, in Hossegor; I am lucky enough to photograph some of the most beautiful waves in Europe. I love the ocean and am fascinated by the shape of beautiful waves and the strength of the biggest ones. I think first of my composition because I always shoot moving elements, so I have to anticipate where the wave or the surfer should appear in the design. Then, when I go to the edit, all my work focuses on where and how I will bring out the light. Composition, shadow, and light are my vital steps. I learn lessons from my mistakes daily by photographing a natural element that varies. I have to understand the weather forecasts, the swell periods, and the wind directions and remember them for each spot because, over a perimeter of a few kilometers, it can be very different. I shoot very quickly, very often at sunrise, because that’s when the light is the most interesting for me. I’m usually wrong because even forecasts are not an exact science, especially with sandbank waves. Still, the show is amazing when it works, and the shots can be fantastic. The photo that won Best of the Week at #nomadict is the perfect example of what I was saying just before - see pic. 3. There were only three people in the water, and I knew I only had 10 or 15 minutes with this very low light to shoot. It was two years ago on a November morning, and I have never found such a beautiful wave with similar light.” 🌊

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Comments
Kuran Pablo
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3 days ago

❤️

Paul Morgen | Fotograf
2

3 days ago

👏🔥

Tom Glashausser | Real Estate
1

3 days ago

😍

Aventures_nature_bushcraft
1

3 days ago

😍

Massimiliano
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3 days ago

👏

Photocircle - Sustainable Art
1

3 days ago

👏👏👏

Philipp Pilz | moody nature
1

3 days ago

The master of waves and surf 🔥 congrats brother

Serhio
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3 days ago

😍😍😍

Ben Yavar | Instructor & Photographer
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3 days ago

Wow, this photos are amazing 🔥

Eric | Landscape Travel & Nature Photography
1

3 days ago

Wow😍

Tamara | Travel 🧳
1

3 days ago

😍

Darlene
1

3 days ago

😍😍😍😍

Barakos Antonis
1

3 days ago

😍

𝐍𝐢𝐜𝐨 𝐍𝐨𝐯𝐚𝐧 𝐏𝐫𝐚𝐭𝐚𝐦𝐚 | 𝐄𝐱𝐩𝐥𝐨𝐫𝐞 𝐈𝐧𝐝𝐨𝐧𝐞𝐬𝐢𝐚 𝐏𝐢𝐜𝐭𝐮𝐫𝐞𝐬
0

3 days ago

Absolutely Amazing

Sebastian Dugudae
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3 days ago

the colours on these are absolutely stunning 🔥

PhotographersLatest content

PHILIP PENMAN

These images I captured during my hosting of Phil Penman in August 2024, on behalf of Leica Akademie Australia, during his phenomenal two-day workshop. At the time, Tadao Ando’s MPavilion was set to be dismantled at the end of June 2025. However, due to its architectural significance and overwhelming public support, the City of Melbourne voted in June 2025 to extend its stay in Queen Victoria Gardens until 2030. Conceived initially as a five-month installation, the pavilion’s complex concrete structure made relocation difficult. Backed by Naomi Milgrom and several leading architects, the campaign to preserve it marked a rare shift from temporary to permanent. It stands as a tribute to architectural excellence in one of Melbourne’s most iconic green spaces. Tadao Ando said he was “honoured” by the city’s decision. The group photo captures some of the workshop participants with Phil. ‘Out of context’ - The last image is of Phil Penman captured at Federation Square during day two of the workshop. Why?… Just because I like it… Your thoughts? 🔴📷 Leica Q3 @PhilPenman @leica_akademie_aus @visitmelbourne @fed.square @parksvic @leica_camera_aus @leicacamera All images are original and non-AI-generated. #tadaoando #parksvic #visitmelbourne #LeicaQ3 #LeicaQ #LeicaQ2 #leica_camera_aus #yesleicacamera #leica #MinimalArchitecture #ConcretePoetry #ArchitecturalSilence #BrutalBeauty #FineArtArchitecture #AndoStyle #ArchitecturalInspiration #JapaneseArchitecture 

PHILIP PENMAN

Still thinking of cooler days in NYC (Did I ever say I hate the heat?) Copyright Phil Penman WWW.PHILPENMAN.COM Link in Bio to sign up to mailing list Prints available at WWW.PHILPENMAN.COM Image: New York, USA Note: All images are original as shot and Not computer generated AI. “The experience of creating an image is more important than the final result“ 

Luke | UK Filmmaker

Venezuela 🇻🇪 I can’t wait to be back! Where shall I go next you lot 👀🎥 

Travel & Photography Magazine

Using atmospheric perspective to add depth and scale to your landscape photos! With @nathanielwise / Atmospheric perspective refers to the visual phenomenon observed in photography where the appearance of objects changes as they recede into the distance due to the interaction of light with the atmosphere. In landscape photography, the application of atmospheric perspective can enhance the sense of scale and depth, creating a more immersive depiction of the scene. The following are three key characteristics of atmospheric perspective: Color shift: Objects that are closer to the viewer generally appear more vivid and saturated, while those in the distance appear progressively lighter, less saturated, and bluer. This is because the atmosphere scatters and absorbs light, causing distant objects to be affected by the blue wavelengths of light. Contrast reduction: As objects move farther away, the contrast between them and their background decreases. This is due to the scattering of light, which leads to a softening of edges and a loss of fine details, resulting in a more muted and hazy appearance. Depth perception: Atmospheric perspective helps create a sense of depth and distance in an image. Distant mountains or landscapes may appear smaller, less detailed, and less sharp compared to foreground elements, contributing to a perceived three-dimensional space in the photograph. You can leverage atmospheric perspective by understanding and incorporating its characteristics into your compositions. By intentionally adjusting exposure, color balance, and contrast, you can emphasize the changes in saturation, tone, and sharpness between foreground and background elements, enhancing the perception of depth and scale in your images. Additionally, weather conditions such as fog, mist, or haze can further intensify the effect of atmospheric perspective, creating a sense of mystery in your photography. These conditions can help isolate foreground elements, create layers of depth, and enhance the overall mood and visual impact of your work. Among these breathtaking images captured by @nathanielwise, which one evokes the most profound feelings of scale and depth? 📸✨ 

B E N J A M I N

Between the ice floes. In a remote region of the Arctic pack ice, I witnessed a lone Polar Bear in transit over the ice floes. Some of the floes are too far apart to jump, so the most efficient route is to swim between and even sometimes underneath them. Polar Bears have an incomprehensible level of endurance and survival instincts, being able to swim for hundreds of kilometres in a single continuous push. Working as a crew member on this Arctic sea ice voyage, I was exceedingly careful when capturing this moment from an aerial perspective. At all times I closely monitored the behaviour of the bear to ensure I did not impact its behaviour. These scenes were captured with @naturalworldsafaris in the international marginal ice zone, sitting just south of the North Pole and more than 12 nautical miles from the northern tip of Svalbard. This video is not AI. 

EMMETT SPARLING 🌎 TRAVEL

I’ve had the opportunity to visit the Marquesas 3 times now. Each island holds something different, but Nuku Hiva and Ua Pou completely blow me away every time. The dramatic volcanic mountains, rich history and culture all go hand in hand. 

Street Photo International

This photo was taken by @richardpetersonphotography .⠀ .⠀ .⠀ .⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography that features a silhouette. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀ .⠀ .⠀ .⠀ .⠀ .⠀ #SPiCollective #streetphotography 

Street Photo International

This photo was taken by SPi member @walter_rothwell .⠀ .⠀ .⠀ .⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography that features a silhouette. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀ .⠀ .⠀ .⠀ .⠀ .⠀ #SPiCollective #streetphotography 

Sony | Alpha

“Hanoi moves fast, but I try to slow it down. There’s always movement—bikes zipping past, vendors setting up, people weaving through the chaos like it’s second nature. It looks wild from the outside, but somehow, it all just works. I love catching those little in-between moments—someone haggling over flowers, a quick glance between strangers, a quiet pause in all the noise. They’re easy to miss, but that’s what makes them worth capturing. The Sony FE 50mm F1.2 G Master has been perfect for this kind of hunt—it adds such beautiful depth and cinematic feel to these fleeting moments, making them linger just a little longer.” - @kosnio ✨👏👏 Paired with his Sony Alpha 7C II (an excellent travel combo) 📸 #SonyAlpha