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Street Photo International

This photo was taken by @niels_photo .⠀ .⠀ .⠀ .⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography that features a silhouette. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀ .⠀ .⠀ .⠀ .⠀ .⠀ #SPiCollective #streetphotography

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Comments
Personajes Del Paseo
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1 days ago

Awesome @niels_photo 🙌

Manny Amadi
0

1 days ago

📸👏🏾👏🏾👏🏾🔥🔥

Francisco Bech | Photographer | Visual Artist
0

1 days ago

I liked 😎👌🏻

Pauline Ren
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1 days ago

Huge congratulations Niels👏👏👏

Darren Sacks
0

1 days ago

Great work bro 👏

Raaj Rane
0

1 days ago

😍😍

Li Grøndahl
0

1 days ago

😍

Nikodemus Widjaja
0

1 days ago

big congrats Niels🔥🔥👏

Ronny Zimmerman
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1 days ago

Massive congratulations, buddy!

Henrik D.
0

1 days ago

😍😍😍

JAEJOON 재준 HA
0

1 days ago

😍😍😍😍😍🙌

Ville Pohjonen
0

1 days ago

Great! Huge congratulations 👏👏👏

Roger Janssen | Amsterdam
0

1 days ago

😍😍😍

Frank Lin 富蘭克・林
0

1 days ago

👏👏🔥🎉💚🖤

0

1 days ago

😍

PhotographersLatest content

Luke | UK Filmmaker

Venezuela 🇻🇪 I can’t wait to be back! Where shall I go next you lot 👀🎥 

Travel & Photography Magazine

Using atmospheric perspective to add depth and scale to your landscape photos! With @nathanielwise / Atmospheric perspective refers to the visual phenomenon observed in photography where the appearance of objects changes as they recede into the distance due to the interaction of light with the atmosphere. In landscape photography, the application of atmospheric perspective can enhance the sense of scale and depth, creating a more immersive depiction of the scene. The following are three key characteristics of atmospheric perspective: Color shift: Objects that are closer to the viewer generally appear more vivid and saturated, while those in the distance appear progressively lighter, less saturated, and bluer. This is because the atmosphere scatters and absorbs light, causing distant objects to be affected by the blue wavelengths of light. Contrast reduction: As objects move farther away, the contrast between them and their background decreases. This is due to the scattering of light, which leads to a softening of edges and a loss of fine details, resulting in a more muted and hazy appearance. Depth perception: Atmospheric perspective helps create a sense of depth and distance in an image. Distant mountains or landscapes may appear smaller, less detailed, and less sharp compared to foreground elements, contributing to a perceived three-dimensional space in the photograph. You can leverage atmospheric perspective by understanding and incorporating its characteristics into your compositions. By intentionally adjusting exposure, color balance, and contrast, you can emphasize the changes in saturation, tone, and sharpness between foreground and background elements, enhancing the perception of depth and scale in your images. Additionally, weather conditions such as fog, mist, or haze can further intensify the effect of atmospheric perspective, creating a sense of mystery in your photography. These conditions can help isolate foreground elements, create layers of depth, and enhance the overall mood and visual impact of your work. Among these breathtaking images captured by @nathanielwise, which one evokes the most profound feelings of scale and depth? 📸✨ 

B E N J A M I N

Between the ice floes. In a remote region of the Arctic pack ice, I witnessed a lone Polar Bear in transit over the ice floes. Some of the floes are too far apart to jump, so the most efficient route is to swim between and even sometimes underneath them. Polar Bears have an incomprehensible level of endurance and survival instincts, being able to swim for hundreds of kilometres in a single continuous push. Working as a crew member on this Arctic sea ice voyage, I was exceedingly careful when capturing this moment from an aerial perspective. At all times I closely monitored the behaviour of the bear to ensure I did not impact its behaviour. These scenes were captured with @naturalworldsafaris in the international marginal ice zone, sitting just south of the North Pole and more than 12 nautical miles from the northern tip of Svalbard. This video is not AI. 

EMMETT SPARLING 🌎 TRAVEL

I’ve had the opportunity to visit the Marquesas 3 times now. Each island holds something different, but Nuku Hiva and Ua Pou completely blow me away every time. The dramatic volcanic mountains, rich history and culture all go hand in hand. 

Street Photo International

This photo was taken by @richardpetersonphotography .⠀ .⠀ .⠀ .⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography that features a silhouette. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀ .⠀ .⠀ .⠀ .⠀ .⠀ #SPiCollective #streetphotography 

Street Photo International

This photo was taken by SPi member @walter_rothwell .⠀ .⠀ .⠀ .⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography that features a silhouette. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀ .⠀ .⠀ .⠀ .⠀ .⠀ #SPiCollective #streetphotography 

Sony | Alpha

“Hanoi moves fast, but I try to slow it down. There’s always movement—bikes zipping past, vendors setting up, people weaving through the chaos like it’s second nature. It looks wild from the outside, but somehow, it all just works. I love catching those little in-between moments—someone haggling over flowers, a quick glance between strangers, a quiet pause in all the noise. They’re easy to miss, but that’s what makes them worth capturing. The Sony FE 50mm F1.2 G Master has been perfect for this kind of hunt—it adds such beautiful depth and cinematic feel to these fleeting moments, making them linger just a little longer.” - @kosnio ✨👏👏 Paired with his Sony Alpha 7C II (an excellent travel combo) 📸 #SonyAlpha 

Sony | Alpha

Atlantic Puffins 🐧🌿 Taken by @paulbrowning.photography on the Farne Islands, Northumberland, NE England with his beast of a set up for wildlife (or any far away subjects) — the Sony Alpha 1 II + 400mm F2.8 G Master OSS. #SonyAlpha 

Magnum Photos

A World in Color, in partnership with Fujifilm and @mpatrimphoto, unlocks Magnum’s unseen color archives of France, the birthplace of the cooperative and of photography itself 🇫🇷⁠ ⁠ Tracing the link between memory and monument, this selection uncovers scenes by @burtglinnphoto and Inge Morath in the 1950s, a relic from Bruno Barbey’s coverage of the May 1968 uprising, Guy Le Querrec's look at avant-garde architecture, and Dennis Stock in Arles and Nice. ⁠ ⁠ From Normandy to the French Riviera, the images revisit France’s shifting society — the post-war years, times of revolt, and moments of everyday life. ⁠ ⁠ 🔗 See the full selection in the article at the link in the @magnumphotos bio. ⁠ ⁠ PHOTOS:⁠ ⁠ (1) Montmartre, France. 1958. © @burtglinnphoto / Magnum Photos⁠ ⁠ (2) Gaullist demonstration. Paris, France. May 1968. © Bruno Barbey / Magnum Photos⁠ ⁠ (3) Courseulles-sur-Mer, Normandy, France. 1983. © @fondationreneburri / Magnum Photos⁠ ⁠ (4) New Orsay Museum. Paris, France. 1986. © @ianberrymagnum / Magnum Photos⁠ ⁠ (5) French Riviera, beaches around Toulon. 1983. © @leonardfreed / Magnum Photos⁠ ⁠ (6) Forum des Cholettes, Sarcelles. France. 1972. © Guy Le Querrec / Magnum Photos⁠ ⁠ (7) Grenoble University. France. 1958. © Inge Morath / Magnum Photos⁠ ⁠ (8) The Negresco in Nice. France. 1983. © Dennis Stock / Magnum Photos⁠ ⁠ (9) Paris, France. © Gueorgui @pinkhassov / Magnum Photos⁠ ⁠ (10) Arles, France. 1979. © Dennis Stock / Magnum Photos