Xenie Zasetskaya | photographer & cinematographer
The road of destiny is built on chance. Lida, Sirius 💛 @lidka_babidka
18 days ago
Любимые
17 days ago
Beautiful use of glass prisms @xenichez ❤️
18 days ago
❤️❤️
18 days ago
👏👏👏👏👏👏👏👏
18 days ago
Love this esthetic and light effects 😍
18 days ago
You have the most beautiful perception of the world and ability to capture light and etheral beauty 😍😍😍😍😍
18 days ago
🔥🔥
17 days ago
Please how do you achieve the lens effects?😍😍😍😍
18 days ago
Great captures 👏👏😍👏👏
18 days ago
😍
18 days ago
💙💙💙
18 days ago
😍😍😍
17 days ago
Comonse hace esa distorciom
18 days ago
Обожаю Ваши работы! Это всегда какая-то магия…. Любовь и восторг с первого кадра😘 бесконечного вдохновения Вам♥️🙏🏻🤘🏻
18 days ago
😍🔥
Ansel Adams Photographer, Artist & Activist
*Happy Birthday to Ansel’s ‘Monolith’!* 🏞️ “Born” on this day, April 10, 1927. Andrea Stillman’s biography “Looking at Ansel Adams” includes a wonderful chapter all about this storied photograph: “In 1992 I was in Ansel’s workroom selecting images for a prospective book of his photographs when Virginia appeared and announced that she had found a stash of home movies from the late 1920s and 1930S. With anticipation we rented a movie projector to screen them. Miraculously, one reel included footage of the trek to the Diving Board. It showed Ansel in his favorite plus fours, lugging his forty-pound pack, with a rakish fedora hat and the Keds high-top basketball shoes he favored for hiking. “The climbers struggled up…in deep snow, and when they reached the Diving Board they pulled each other up with a ludicrously thin rope. Virginia fearlessly inched out onto the sharply angled granite spur, and when she reached the tip she stood up and blithely waved. It seems appropriate that Ansel presented the very first print of ‘Monolith’ to Virginia. “Ansel was twenty-five years old when he made ‘Monolith.’ At age eighty he was able to recall the experience of making the negative, every detail as clear as it more than a half century had not elapsed. He photographed Half Dome hundreds of times, and there are many different interpretations that include moons, clouds, snow, flowers, leaves, trees, even deer and people. In 1978, during one of his last annual Yosemite workshops, he and his photographic assistant, John Sexton, contemplated Half Dome together and talked about the taking of ‘Monolith’ in 1927. According to John, Ansel laughingly confided, ‘Maybe I should just have stopped then.’” Text, film footage and Ansel Adams images are copyright ©️The Ansel Adams Publishing Rights Trust. All rights reserved. John Sexton’s photograph courtesy of @johnsextonphoto. All rights reserved.