Sony | Alpha
“Simply put, the Sony A7R V and 200-600mm G OSS lens form a powerhouse setup for serious wildlife photographers. It’s a system built for those who demand the highest image quality from their time in the field — for those chasing not just images, but stories, moments, and the fine details that bring the wild to life. If your goal is to maximize your time in nature, capture the rarest encounters, and produce images ready for both print and screen at the highest level, this setup is hard to beat.” - professional wildlife photographer @jared.vandermeer 🙌🙌 See for yourself - tap the link in bio to learn more about the resolution powerhouse - the Sony Alpha 7R V - now. #SonyAlphaCanada #sonyalpha #wildlifephotography #birding
21 hours ago
😍
20 hours ago
🔥🔥👏🔥🔥
20 hours ago
The details in these are insane, but I love how pink that little guy is!!! 😍
21 hours ago
😍😍😍
21 hours ago
Wow 😍
21 hours ago
😍
20 hours ago
Gorgeous pictures
19 hours ago
Wow!! These shots are fantastic!
17 hours ago
In awe! 🫶🏼
16 hours ago
Wow 😍😍😍
19 hours ago
Amazing photo 😍
16 hours ago
👏👏Wow
14 hours ago
🔥🔥🔥🔥
17 hours ago
🔥🔥🔥
19 hours ago
Wow 😮😮
Ansel Adams Photographer, Artist & Activist
Back in the day, Ansel’s fellow photographer and friend Edward Weston lived a few hours south of San Francisco, in Carmel, and Ansel often drove down the coast to visit him and his wife, Charis. On one visit he recalled, “I told Charis I was looking for a place to make a really good photograph of Edward. She said there was a big eucalyptus tree nearby that he liked.” Earlier that year Edward had photographed the tree’s “exciting roots.” When Ansel eventually moved to Carmel many years later, he built a home not far from it. In ‘Examples: The Making of 40 Photographs,’ he wrote, “At first I was not satisfied with the location and I began to explore nearby. Edward sat down at the base of the tree to await my decision.” After initially gravitating towards the picket fence, Ansel “suddenly saw the inevitable image. . . . The relatively small figure at the base of the huge tree, the convoluted roots, and the beautiful quiet light” of a foggy coastal day. “I pleaded, ‘Edward please just keep sitting there.’ I was very excited and fumbled my meter, dropped my focusing cloth and inadvertently kicked the tripod leg. Edward was amused and relaxed.” Image 1: ‘Edward Weston, Carmel Highlands, California,’ 1945. Photograph by Ansel Adams. ©️The Ansel Adams Publishing Rights Trust Image 2: ‘Eucalyptus Tree and Roots, Carmel Highlands, California,’ 1945. Photograph by Edward Weston © 1981 Center for Creative Photography, University of Arizona, Arizona Board of Regents