PHILIP PENMAN
Putting that new 135m f3.4 to work in Berlin. Little cheat. I always try to keep a couple of frames of a similar scene just in case one corrupts on the hard drives. If it has not happened to you it’s very painful to see your raw images lose half its pixels. If anyone knows the technical reasons why, I would love to know. Thanks #berlinphotography #leica #blackandwhite #blackandwhitephotography
19 hours ago
Great 🔥
19 hours ago
I wasn't worried about this...until now! 😮
20 hours ago
Nice frame
20 hours ago
Great eye!
17 hours ago
I’ve never have experienced this issue in thousands of frames on a given weekend over the course of the 20+ years I’ve shot digital. It’s very strange to me and I’m interested to see what others can offer. My first guess would be the card. Second would be how often you format it in the specific camera.
17 hours ago
👏
19 hours ago
Another amazing composition, great POV here Phil 👏🔥
17 hours ago
😍😍😍
17 hours ago
👏👏👏
20 hours ago
👏🔥🙌
18 hours ago
😍😍
15 hours ago
👏👏👏🔥
20 hours ago
👏👏👏👏
14 hours ago
Such a stunning frame and beautiful find. I would keep clicking just not to miss anything that may come before or after in milliseconds. Gold.
8 hours ago
Super👏👏👏
Ansel Adams Photographer, Artist & Activist
“The average man is plagued with bewilderment over the productions of contemporary artists. Neither can he understand the artist himself… Recently a congressman has publicly linked contemporary art with Communism. The stately bluster of congressional authority carries a lot of weight with a lot of people. There is no doubt that his pronouncements served to strengthen the already sour opinions of vast numbers of people whose tolerance may be dangerously approaching the breaking point… It is not good for our civilization that such attacks do not draw forth vigorous protest from large numbers of our people. We have all seen art and intellect ridiculed in comic strips, popular fiction and on the movie screen. The advisors F.D.R. gathered around him —usually men of rare mental and imaginative gifts—were caricatured as “longhairs,” nit-wits, and often as *reds*. Such monstrosities of taste and distortions of fact are accepted by a large docile public as gospel truth. But this docility is an illusion; in the face of a great crisis it may turn suddenly into a great consuming flame, searing the spiritual well-springs of our society... The arts, literature, science—the great triumvirate of human progress—are literally on the block, so to speak. Merely castigating the stupid opposition does more harm than good, as it creates more stubborn opposition and determinations to destroy. The artist and the creative intellectual MUST examine himself and his relation to society as a whole, and by positive assertions and example give the people at large a more satisfactory understanding of the importance of art and the creative spirit.” —A.A. 🇺🇸 “Mount Williamson, Sierra Nevada, from Manazanar, California,” 1944. Photograph by Ansel Adams.